A director narrates his script to a producer and the events in the story happen in real life
A director narrates his script to a producer and the events in the story happen in real life
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Narathan
A director narrates his script to a producer and the events in the story happen in real life
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Uyire Uyire
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Jithan 2
A man buys a haunted house and loses his peace
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Oyee
The film would have made more sense if the silambam contest as its core theme.
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Theri
A cop story that is entertaining despite being predictable. The final portions lack the punch they deserve.
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Vetrivel
The director also finds a smart way to integrate this plot with Naadodigal, and it is a pleasant surprise.
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Ennul Aayiram
Ennul Aayiram barely succeeds in keeping us hooked as the story progresses.
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Kalam
Kalam — has everything you expect, but somehow doesn’t seem fullfilling.
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Manithan
The climax of the powerful being held accountable for their wrongs, ensures that we leave up with a sense of optimism.
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24
A script that is not simplistic or formulaic, but Suriya pulls it off admirably.
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Pencil
While we expect a tense thriller, what we end up with are amateurish investigative scenes and mood-killing comedy.
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Ko 2
In better hands, Ko 2 would have been a crowd-pleasing political thriller.
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Jambulingam
Even on paper, the premise of Jambulingam feels thin, and on screen, it looks even worse
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Unnodu Ka
The story has scope for a better entertainer; the flow of sequences is sluggish in the first half
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Katha Solla Porom
Despite the suspense inherent in the plot, the film moves in a rather relaxed fashion.
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Maruthu
The film also feels overlong, and characters and their relationships are broadly sketched.
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Uriyadi
Uriyadi displays a daring that belies its small-budget, first-film credentials, and stakes its claim in the list of the best films of the year.
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Idhu Namma Aalu
The problem is that Pandiraj seems to have gotten content with his leads that he fails to create an engaging story around them.
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Meera Jakirathai
The unconvincing climax coupled with a hint about a sequel just rubs salt into our wounds.
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Iraivi
Karthik’s writing is novelistic, with each character having their own well-sketched arcs.
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